February 11, 2010
Career Karma – Tricia Campbell Hall
Tricia Campbell Hall is a stylist, I can’t remember when I met her because I often see her when I go out to events, and she’s always friendly and fun to talk to. Later I became aware of her blog, and found out more about what she does, including this lovely reveal of the design and development of her wedding dress. Tricia loves to find unknown designers and support them in the early stages of their career.
Tricia is having a busy month – she’s jetting her way to fashion week in NYC in a few days to check out Rad Hourani‘s show among others… looking forward to reading what she posts about the trip.
In the meantime, she kindly answered a few of my questions about her career.
You’re a stylist who-blogs – why did you decide to start a blog, and how does the blog complement your career?
i decided to start a blog as a way to share with people the work that i do and it gives me the opportunity to share the behind the scenes process, pictures and stories of the end result.
blogging provides an additional platform to support canadian designers who i love wholeheartedly.
it also helps to put a personality to my name because i type like how i talk. i take my work very seriously but i don’t take myself too seriously and i think my writing style shows it. it allows me to give additional exposure to the designers, clients, photographers, models and hair/makeup artists that i get to work with because i provide credits from each shoot. posting in a manner that allows the reader to feel like they were present, be it for a shoot or even an event i attended, along with providing pictures i took myself or that the event photographer took makes my blog approachable and easier to read (at least i hope so).
You’ve applied your skills to many different types of styling – off-figure, photography, styling celebrity clients for shoots, and fashion shows. What type of styling is the most challenging? What type is your favourite?
the most challenging type of styling i think is off-figure, mainly because it’s the most misunderstood and underrated. those carefree and loosely stacked polos shots that you see in a j.crew catalogue actually took a lot of time to be pressed and steamed just right, folded a specific way, organized in a particular colour order and lit to perfection for that end result. each one of those shots can take a couple of hours to produce and not all clients are aware of the time it requires to achieve that look they request. an editorial fashion shoot for five looks (hair + makeup included) will easily go by much faster than a high end off-figure shoot for five product shots.
as much as i enjoy off-figure my favourite type of styling would have to be fashion, be it for a creative shoot that i do on my own time or for a magazine. i really love creating beautiful images with clothing and accessories, a great model, a great photographer and a great hair + makeup artist on board. i was very much a visual arts geek back in high school and i still love visual arts to this day. to me (fashion) styling is an art form.
Can you describe a typical day as a freelance stylist?
because it’s not a monday to friday 9-5 type of career your days can be really inconsistent and unpredictable. one day i’m chillin at home watching oprah and the next day i’m running around the city pulling clothing for a magazine shoot all because of a phone call from my agent.
there are different levels of crazy depending on the job. the more laid back sort of days (in regards to preparation) would be ones in a production studio for a commercial catalogue client-often times all styling materials are provided and you just have to show up, no full styling kit required (i’ll just roll with a downsized version). because it’s catalogue the product (clothing, shoes, accessories, etc) is provided for you and with it being in a production studio there’s usually a set time as to when your day is done.
the most crazy would be a call for a magazine shoot, some in as little as 2 days. you have to always make sure your contact list is up to date because at the 11th hour you have no time to waste. calling and emailing designers, showrooms and stores, making appointments to pick up the clothing and even have some itemscouriered to you because you don’t always have time to pick up the items yourself. though there is a specific call time for you to begin on the day of the shoot, it doesn’t end until you get all the desired shots and that can sometimes mean that your day can run late.
What fashion professionals do you admire, and how do they inspire you?
i really admire nicola formichetti‘s work, where he’s at in his career and what he’s accomplished. he’s fashion editor, creative director, contributing fashion editor, he styles ad campaigns, videos and celebrities; having all that on his plate and doing all jobs well reminds me that there’s nothing that can’t be done, that you don’t have to be one “type” of stylist only.
Can you describe the proudest moment in your career so far?
a satisfied client is something that i’m always proud of, but i will tell you about the happiest moment of my career: being hired as an in-house off-figure stylist back in july of 2004 after being let go from a sucky retail job at the end of 2003; that’s where my career as a stylist began.